Nathan Furniture

Tintype Photo 1800s Group of Five Suffragists Women Long Dresses Hats Fence Tree

Description: 3.5 x 2.5 inch Tintype Photo of the Ayers/Beach Women Suffragists, that came from an album of Carte de Visite(CDV) pictures. This photo came from group of family photo albums, one with the inscription "Presented to Laura Beach Ayer by her father Eben Beach after the burning of the Ayer Home." Tintypes, also known as ferrotypes, are a type of photograph that became popular in the mid-19th century. These images were produced on a thin sheet of metal coated with a photosensitive emulsion, offering a durable and inexpensive alternative to other photographic processes of the time, such as daguerreotypes or ambrotypes.Key Features of Tintypes: Material:Made using a thin sheet of iron (despite the name "tintype," no tin was involved).The metal sheet was coated with a dark lacquer or enamel to create a background for the image. Process:A photographic emulsion (usually collodion) was applied to the metal sheet.The plate was exposed in a camera and then developed quickly while still wet, a process known as wet-plate photography.This made tintypes a fast and practical method, ideal for portraiture and events. Popularity:Tintypes became popular in the 1860s and 1870s, particularly during the American Civil War, as soldiers and families could easily carry these durable photos.They were cheap and accessible, making photography available to people who could not afford daguerreotypes or other more expensive formats. Durability:Unlike paper-based photographs, tintypes were sturdy and could withstand handling and exposure to the elements, making them well-suited for keepsakes. Uses:Often used for portraits, mementos, and keepsakes.Tintypes were commonly taken at fairs, carnivals, and by itinerant photographers. Modern Interest:Today, tintypes are valued as collectibles and as historical artifacts. They provide a glimpse into 19th-century life and the early development of photography.Some contemporary photographers still use the tintype process for its unique aesthetic and nostalgic appeal. The Carte de Visite (CDV) was a type of small photograph that became incredibly popular during the mid-to-late 19th century, especially between 1859 and the 1870s. Here’s an overview of what they were, their significance, and how they shaped photography and social customs of the time:1. Definition and Format:A Carte de Visite (CDV) was a small photograph, typically mounted on a piece of card stock measuring about 2.5 by 4 inches (6.4 x 10.2 cm). The name translates to “visiting card” in French.The CDV was invented by André Adolphe-Eugène Disdéri in 1854. He introduced the concept of printing multiple photos on a single plate, making them affordable and easily reproducible.The image itself was made using the albumen print process, a method involving coating thin paper with egg whites (albumen) and silver nitrate, then printing the image from a glass negative.2. Popularity and Social Use:CDVs became extremely popular for portrait photography, as they were an affordable way for people to have their photographs taken and distributed to friends and family.Much like modern business cards, CDVs were often exchanged during social visits and gatherings, making them an early form of networking tool.People would often display these cards in special albums, and it was common to collect the CDVs of family members, friends, and even notable public figures like actors, politicians, or royalty.3. Famous Subjects:One of the reasons for their popularity was that they were affordable for the general public, unlike earlier photographic processes such as daguerreotypes.Public figures, including Queen Victoria, Abraham Lincoln, and Charles Dickens, were popular subjects for CDVs. People would collect these celebrity portraits much like we collect trading cards or autographs today.Famous generals and political figures from the American Civil War period were especially popular subjects in the U.S., with the CDVs of leaders like Ulysses S. Grant and Robert E. Lee being widely distributed.4. Photography Studios:The popularity of CDVs led to a rise in photography studios. People would visit these studios to have their pictures taken in professional settings. The photos were often staged, with sitters posed formally, sometimes holding props or standing beside ornate furniture.Many studios stamped the back of the CDVs with their studio name and location, making them also a useful way of advertising.5. Technological Influence:CDVs were a major step forward in the history of photography because they popularized the use of negatives, allowing for the creation of multiple copies from one sitting.This was a departure from earlier photographic methods like daguerreotypes, where each image was unique, and no copies could be made.6. Decline and Legacy:CDVs began to decline in popularity in the 1870s, as they were gradually replaced by cabinet cards, which were larger (about 4.25 by 6.5 inches) and became the new standard for portrait photography.However, many people still kept their collections of CDVs in albums well into the 20th century, and today they are considered valuable historical artifacts. Collectors and historians study them for insights into fashion, social customs, and the lives of the people from the period.7. Collecting CDVs:Today, Carte de Visite photographs are considered highly collectible, especially those featuring prominent historical figures, unusual subjects, or images in very good condition.When collecting, the photographer’s studio mark, which is often found on the back of the CDV, can provide information about the photo’s origin and help date the image.The subject matter is also important. CDVs of historical figures, unique professions, or military personnel (especially Civil War soldiers) tend to be more valuable. Everyday portraits of anonymous people, though still charming, are less collectible unless they offer something particularly unusual.8. Identifying CDVs:CDVs are often identified by their small size and backing card, usually printed with the name of the photography studio.Many times, early CDVs are sepia-toned due to the albumen printing process, which gives them a soft, brownish color.The backs of the CDVs often featured ornate designs or logos of the photography studio, which helped to identify where and when the photo was taken.9. Cultural Impact:The CDV played a significant role in the development of celebrity culture. For the first time, people could own photographs of famous personalities, giving rise to a culture of collecting and sharing images of celebrities.It also marked a shift in how people saw themselves. As photography became more affordable, ordinary people began to immortalize their own likenesses, making personal portraiture accessible to the masses.Summary: The Carte de Visite marked a significant cultural and technological milestone in photography. It revolutionized portrait photography by making it affordable, widely available, and easy to reproduce. They served as an early form of social media, where people would exchange images and even collect portraits of famous figures. Today, they offer valuable insights into 19th-century life and continue to be prized by collectors and historians alike.

Price: 29.99 USD

Location: Palos Heights, Illinois

End Time: 2025-01-10T00:44:01.000Z

Shipping Cost: 4.63 USD

Product Images

Tintype Photo 1800s Group of Five Suffragists Women Long Dresses Hats Fence TreeTintype Photo 1800s Group of Five Suffragists Women Long Dresses Hats Fence TreeTintype Photo 1800s Group of Five Suffragists Women Long Dresses Hats Fence TreeTintype Photo 1800s Group of Five Suffragists Women Long Dresses Hats Fence Tree

Item Specifics

Restocking Fee: No

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money Back

Unit of Sale: Single Piece

Antique: Yes

Image Orientation: Portrait

Size: 3.5 x 2.5 in

Image Color: Black & White

Material: Metal

Original/Licensed Reprint: Original

Framing: Unframed

Subject: Family, Fence, Hats, Tree, Women, Women Voters

Vintage: Yes

Type: Photograph

Year of Production: Late 1800s

Format: Tintype

Number of Photographs: 1

Theme: Americana, People, Portrait, Women, Women in Petticoats, Suffragists, Sufferage

Style: Photojournalism

Features: One of a Kind (OOAK)

Time Period Manufactured: 1850-1899

Country/Region of Manufacture: United States

Production Technique: Tintype

Finish: Glossy

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